Glossary: Terms and topics in this section
Anna Coleman Ladd and Francis Derwent Wood
A number of artists were associated with the production of facial prostheses for servicemen whose injuries were so severe that they required partial masks to give the appearance of a ‘complete face’.
more...HMS Warspite

Lost wax casting
Depending on the final form of an object and the type of metal or glass to be cast, the lost wax casting process has numerous variations and refinements. In its simplest form, a wax model of the object to be cast is produced and is invested in a mould that is usually made of a plaster type mix. Depending on the material to be cast, this mix recipe will differ. A wax extension is left protruding from the top of the mould, usually in the form of an upturned cone shape. The whole mould is then turned upside down and placed in a burn-out kiln where the mould is heated until the wax model inside melts and runs out of the extension and cone; hence the wax is ‘lost’. Whilst still hot, the mould is removed from the kiln, packed in wet sand (in case the mould cracks) and the molten metal or glass is poured into the cavity left by the wax via the cone and extension cavity in the top of the mould. Once the molten material has cooled, the mould is smashed from the cast at which point the sculpture can be cleaned and dressed as required.
more...





